![]() ![]() ![]() The major case study of this thesis involves the career of German Egyptologist Georg Steindorff, who worked as a museum curator at the Ägyptisches Museum in Leipzig as well as a field archaeologist in Egypt from the years 1903-1931. Consequently, the canon establishes an artistic hierarchy according to European aesthetic standards that excludes types falling outside of its criteria. The “canon” is an art historical concept from designating certain objects, styles, and forms as representative of a culture, time period, or artistic movement. This thesis is a historiographic study of Germany Egyptology in the late 19th and early 20th centuries, with particular focus on how the different stakeholders involved in that academic environment – scholars, curators, donors and financiers, the German museum-going public, as well as Egyptian people who worked on archaeological excavations – influenced the development of the scholarly canon of ancient Egyptian art. ![]()
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